October 21, 2017
1303 Northeast 45th Street
Seattle, WA 98105-4502
October 21, 2017
Doors at 7:00 pm
Show at 8:00 pm
(not including fees)
AVOID FRAUDULENT TICKETS!
ONLY BUY FROM OFFICIAL SOURCES:
- IN PERSON at the Paramount Theatre Box Office, open Monday through Friday, 10 am to 6 pm.
- ONLINE at Ticketmaster.com, which is accessible via this site.
- BY PHONE using Ticketmaster's automated system at 1-800-745-3000.
There are many ticket resellers and secondary markets for tickets. The ONLY OFFICIAL website for the theatre is stgpresents.org. Please note: we do run occasional offers through partner sites including, but not limited to: Broadway.com, Goldstar, TravelZoo, official artist websites and their official fan clubs.
Purchasing tickets from any other seller or website runs a high risk of receiving fraudulent tickets.
Note: if you have successfully purchased tickets from one of the official sources listed above, congratulations! We're sure you're excited, but please DO NOT share photos of your tickets online. Tickets can be replicated via these photos and resold, which could inhibit your ability to enter the theatre. We look forward to seeing you at the show!
It’s the little show with a big effect, and Starbucks, KEXP and Seattle Theatre Group (STG) are bringing the 19th Little Big Show to the stage.
Since the inaugural show in 2012, the Little Big Show concert series has collectively raised more than $250,000 for local arts nonprofits. The money donated has funded fifteen local initiatives that provide arts education, such as after-school classes, tutoring and scholarships for young people in Seattle through organizations such as Youth in Focus, Rain City Rock Camp for Girls, EMP Youth Programs, The Vera Project, Hugo House and Northwest Tap Connection to name a few. 100% of purchase price for Little Big Show #19 will go directly to The Lambert House.
This is an American rock 'n' roll album by big American pop star Perfume Genius.
Known early as a poster-wraith for notorious, joyous, tortured and free boys, girls and their fellow travelers, the first two albums by Perfume Genius consisted largely of exquisite and cruelly abbreviated songs seemingly sung in the dark at a piano with all the silences left in. The previously most recent album, 2014's Too Bright, stepped out saucily onto a bigger stage, expressing, with the production help of Adrian Utley, emotions arranged all along the slippery continuum from rage to irony to love. Now here we have seized the vocabulary of the full expression of all music.
WHAT IS THIS
Here in 13 ferocious and sophisticated tracks, Mike Hadreas and his collaborators blow through church music, makeout music, an array of the gothier radio popular formats, rhythm and blues, art pop, krautrock, queer soul, the RCA Studio B sound, and then also collect some of the sounds that only exist inside Freddy Krueger. Tremolo on the electric keys. Nightclubbing. Daywalking. Peter Greenawaying, Springsteening, Syreetaing.
Luridness was a quality of music in the 1960s that is mostly since shunned. The big male crooners were all fiercely lurid as an expression of passion or lustiness or general dickability. That's something perfect to take back. You took us to church and told us to believe in ghosts. You took us to school and told us to believe in the great American project of inclusion. Instead we started fucking to the great American project of rock and roll. There's more than one sexy soul song here. Seduction is also spellcraft. Rock and roll was an incantation, a beg to give it up baby. It's not that different from begging Some Thing to not let you die when you are alone and afraid.
A QUICK BREAK ABOUT HOW
Blake Mills - the one who produced the Alabama Shakes record and who performs with John Legend - produced the record with precision and expansion. Some things are pretty and some are blasted beyond recognition. In the studio with Shawn the engineer, Mike and Blake would hear quite different voices as they worked and they built this together.
MORE ON THE TOPIC OF WHY
God is all around actually and some of these songs are about being equal and some are about the witchcraft of believing. This is church music the same way Prince's Black Album is - too dirty. It's femme art pop the way Kate Bush's The Dreaming is - too scary. Prayer is indistinguishable from OCD but feels a lot cleaner.
LIFE IS ACKNOWLEDGING THAT WE EACH STRIVE FOR HAPPINESS
1."I felt like when I made these other albums, people were like why are you talking about these things, and now people are going to be like, why aren't you talking about these things, because everything's so terrible. I'm never not talking about it. My life is existing in the fucking face of it. My music will always be in protest."
2."I pay my rent. I'm approaching health. The things that are bothering me personally now are less clear, are more confusing. I don't think I really figured them out with these songs. There's something freeing about how I don't have it figured out. Unpacking little morsels, magnifying my discomfort, wading through buried harm, laughing at or digging in to the embarrassing drama of it all. I may never come out the other side but it's invigorating to try and hopefully, ultimately helpful. I think a lot of them are about trying to be happy in the face of whatever bullshit I created for myself or how horrible everything and everyone is."
3."I can steal from people that are on the inside and act as if. I created my whole identity around never being on the inside."
Who gets to live now? That's a question up for active international debate. Lots of folks are getting a clear view into what they all think of us. When we can, we should not have to care. You should feel great listening here, even when you're sad. Our job is to find love and connection and goodness. Records like this, records that make you feel like you're 15 and just seeing the truth for the first time, are excessively rare. They're here to remind you that you're divine.