March 29 - 30, 2019
1932 Second Avenue
Seattle, WA 98101
March 29 - 30, 2019
Shows at 8:00 pm
All Ages / Bar with I.D.
AVOID FRAUDULENT TICKETS!
ONLY BUY FROM OFFICIAL SOURCES:
- IN PERSON at the Paramount Theatre Box Office, open Monday through Friday, 10 am to 6 pm.
- ONLINE at Ticketmaster.com, which is accessible via this site.
- BY PHONE using Ticketmaster's automated system at 1-800-982-2787.
There are many ticket resellers and secondary markets for tickets. The ONLY OFFICIAL website for the theatre is stgpresents.org. Please note: we do run occasional offers through partner sites including, but not limited to: Broadway.com, Goldstar, TravelZoo, official artist websites and their official fan clubs.
Purchasing tickets from any other seller or website runs a high risk of receiving fraudulent tickets.
Note: if you have successfully purchased tickets from one of the official sources listed above, congratulations! We're sure you're excited, but please DO NOT share photos of your tickets online. Tickets can be replicated via these photos and resold, which could inhibit your ability to enter the theatre. We look forward to seeing you at the show!
STG Presents A.I.M by Kyle Abraham at The Moore Theatre March 29-30, 2019. Presented in association with On the Boards.
In a new mixed repertory program, the "magnetic dancers" of A.I.M (Siobhan Burke, New York Times) demonstrate a diverse range of choreography, all created by Artistic Director KYLE ABRAHAM within the last two years. Repertory includes: INDY, Kyle Abraham's first full-length solo in nearly a decade; Meditation: A Silent Prayer, a new work featuring voice-over recording by Carrie Mae Weems and visual artwork by Titus Kaphar; Drive, a high-energy, propulsive work set to thumping club beats; and a duet excerpt from Dearest Home, Kyle Abraham's latest evening length work that explores the concepts of Love, Longing and Loss.
The mission of Kyle Abraham/Abraham.In.Motion is to create an evocative interdisciplinary body of work. Born into hip-hop culture in the late 1970s and grounded in Abraham’s artistic upbringing in classical cello, piano, and the visual arts, the goal of the movement is to delve into identity in relation to a personal history. The work entwines a sensual and provocative vocabulary with a strong emphasis on sound, human behavior and all things visual in an effort to create an avenue for personal investigation and exposing that on stage. A.I.M is a representation of dancers from various disciplines and diverse personal backgrounds. Combined together, these individualities create movement that is manipulated and molded into something fresh and unique.