Seattle Theatre Group® a non-profit arts organization
logo and link to The Paramount Theatre calendar logo and link to The Moore Theatre calendar logo and link to The Neptune Theatre calendar
STG Presents
Hannah Gadsby
Douglas
Hannah Gadsby
The Moore Theatre
Saturday & Sunday
June 8 & 9, 2019
To Purchase By Phone:
1-800-982-2787
The Moore Theatre

1932 Second Avenue

Seattle, WA 98101

DIRECTIONS ›

Saturday & Sunday
June 8 & 9, 2019
Doors at 6:30 pm
Shows at 7:30 pm

These are strict NO CELL PHONES ALLOWED shows. Please leave your phones in your cars or at home. Anyone who brings a cell phone will be required to place it in a locked pouch. Everyone is subject to a pat down and wanding. Anyone caught with a cell phone inside the venue will be immediately ejected.
To Purchase By Phone:
1-800-982-2787
The Paramount Theatre box office, located at 9th & Pine in downtown Seattle, is open Monday through Friday, from 10 am to 6 pm for advance ticket sales to performances at our Paramount, Moore, and Neptune Theatres.

Reserved Seating on Main Floor & in First Balcony
GA Seating in Second Balcony

All Ages / Bar with I.D.
$59.75 reserved seating
$39.75 GA seating
(not including fees)

These are strict NO CELL PHONES ALLOWED shows. Please leave your phones in your cars or at home. Anyone who brings a cell phone will be required to place it in a locked pouch. Everyone is subject to a pat down and wanding. Anyone caught with a cell phone inside the venue will be immediately ejected.

AVOID FRAUDULENT TICKETS!

ONLY BUY FROM OFFICIAL SOURCES:

  • IN PERSON at the Paramount Theatre Box Office, open Monday through Friday, 10 am to 6 pm.
  • ONLINE at Ticketmaster.com, which is accessible via this site.
  • BY PHONE using Ticketmaster's automated system at 1-800-982-2787.

There are many ticket resellers and secondary markets for tickets. The ONLY OFFICIAL website for the theatre is stgpresents.org. Please note: we do run occasional offers through partner sites including, but not limited to: Broadway.com, Goldstar, TravelZoo, official artist websites and their official fan clubs.

Purchasing tickets from any other seller or website runs a high risk of receiving fraudulent tickets.

Note: if you have successfully purchased tickets from one of the official sources listed above, congratulations! We're sure you're excited, but please DO NOT share photos of your tickets online. Tickets can be replicated via these photos and resold, which could inhibit your ability to enter the theatre. We look forward to seeing you at the show!

STG Presents Hannah Gadsby at The Moore Theatre on Saturday, June 8 & Sunday, June 9, 2019. These are strict NO CELL PHONES ALLOWED shows. Please leave your phones in your cars or at home. Anyone who brings a cell phone will be required to place it in a locked pouch. Everyone is subject to a pat down and wanding. Anyone caught with a cell phone inside the venue will be immediately ejected.

Who is Douglas? Well, apparently, Hannah Gadsby thinks he is the only one who can help her follow up on the trail blazed by her last show: Nanette. Hannah is all set to take the mysterious Douglas for a trot around America for her first ever US tour.

Tasmania’s own Hannah Gadsby has come to the world’s attention through her multi-award winning stand up show Nanette which played to sold out houses across Australia, London, Edinburgh, New York and Los Angeles before launching on Netflix in June and stopping the comedy world in its tracks.

The overnight success of Hannah Gadsby was more than ten years in the making, with her award winning stand up shows a sell out fixture in festivals across Australia and the UK. She played a character called Hannah on the TV series Please Like Me and has hosted three art documentaries, inspired by comedy art lectures she created to accompany collections at major galleries.

What they have said about Nanette;

“As uproariously funny as it is profoundly furious.” The New Yorker

“The laughs of her show are a means to an end, which is, at its core, a ferocious attack on comedy itself.” The New York Times

“Nanette is the kind of work that leaves you shaken. Not because it’s really funny (it really is), or because it’s equally heartbreaking, but because it finds a fusion of those two modes that’s incandescent.” The Atlantic

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