November 15, 2017
1303 Northeast 45th Street
Seattle, WA 98105-4502
November 15, 2017
Show at 8:00 pm
$23.50 day of show
(not including fees)
AVOID FRAUDULENT TICKETS!
ONLY BUY FROM OFFICIAL SOURCES:
- IN PERSON at the Paramount Theatre Box Office, open Monday through Friday, 10 am to 6 pm.
- ONLINE at Ticketmaster.com, which is accessible via this site.
- BY PHONE using Ticketmaster's automated system at 1-800-745-3000.
There are many ticket resellers and secondary markets for tickets. The ONLY OFFICIAL website for the theatre is stgpresents.org. Please note: we do run occasional offers through partner sites including, but not limited to: Broadway.com, Goldstar, TravelZoo, official artist websites and their official fan clubs.
Purchasing tickets from any other seller or website runs a high risk of receiving fraudulent tickets.
Note: if you have successfully purchased tickets from one of the official sources listed above, congratulations! We're sure you're excited, but please DO NOT share photos of your tickets online. Tickets can be replicated via these photos and resold, which could inhibit your ability to enter the theatre. We look forward to seeing you at the show!
STG Presents Hamilton Leithauser at The Neptune on Wednesday, November 15, 2017.
I Had A Dream That You Were Mine is an album of songs Hamilton Leithauser and Rostam wrote and recorded together between July 2014 and February 2016. In the spirit of collaborative albums, not unlike those of David Byrne and Brian Eno, each musician's individuality remains in tact, while in fact, on this record, both Hamilton's identity as a singer and Rostam's as a producer seem to reach new heights.
"This was a record I'd been wanting to make for at least a decade," Rostam says. "As a fan of Hamilton's voice in the Walkmen, I'd been wanting to capture it in ways it hadn't been captured before -- to make songs with him that placed the crooner right beside the howler, the screamer beside the whisperer -- to try to leave no stone unturned in terms of how we should approach the delivery of a song. And also to try to push his voice outside of any musical context it had lived in before."
Says Leithauser, "Rostam's one-man-band process is so fundamentally different from the way I've always written songs, and it's very impressive. We had no idea what kind of music we were going to make -- we actually didn't know we were working on an album at first -- but unexpected things kept falling into place. We were writing and recording everything simultaneously -- it was flat-out inspiring just to be there."
Many of these songs seem to take place in a memory of New York's past, or wading through the waist high waters in a half-submerged New York of the future. Yet what unites them is that they tell stories -- I Had A Dream That You Were Mine is an album, a collection of songs yes, but also a collection of narratives. "The Bride's Dad" faithfully recounts an unexpected (an probably uninvited) guest at a friend's recent wedding; "You Ain't That Young Kid" follows the wistful narrator through a night of lost love and transformed resolve.
From the doo-wop of "When the Truth is..." to the country pedal steel of "The Morning Stars"; from the piano and organ alchemy of the Band in "A 1000 Times," to the Leonard Cohen-esque Spanish triplets of "In a Black Out"; the album harnesses the exploding musical styles of midcentury America -- which, when melded with the warbled 1980's analogue synthesizers of "You Ain't That Young Kid," the ultramodern sub bass of "Sick as a Dog," the intimate falsetto of "1959," and the raucous bar-room chorus of "Rough Going" -- sparks an entirely unexpected and innovative style.